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The Regents of the University of California
 

 
94TH FACULTY RESEARCH LECTURE
Archaeologist shares love of Moche culture

Archaeologist Christopher Donnan examines ceramic vessels excavated at the La Mina site in northern Peru.

BY WENDY SODERBURG
UCLA Today Staff

Archaeology, it seems, has always been in his blood.

As a 7-year-old boy, Christopher Donnan collected all the Indian artifacts he could find — arrowheads, pipes, ax heads and beads. He kept this collection all through high school and still has some of it, although most of the items are now in the hands of his nephews and nieces.

“It was a passion for me,” said Donnan, professor of anthropology and director emeritus of the Fowler Museum of Cultural History. His parents, however, encouraged him to get into a more practical line of work, and as a freshman at UC Berkeley, Donnan enrolled in architectural engineering. He changed his mind after taking a couple of courses in anthropology. “I knew anthropology was what I wanted,” he said. “My parents were concerned, but supportive.”

Of course, if they knew that their son would become one of the world’s foremost experts on ancient Andean society and culture, they wouldn’t have worried. Donnan went on to receive his master’s degree in anthropology at UCLA and his Ph.D. at UC Berkeley.

After graduating in 1968, Donnan joined the faculty in the Department of Anthropology at UCLA and began developing a program in Andean archaeology. His primary research has focused on the Moche, a civilization that flourished on the desert-like coast of northern Peru between 100 A.D. and 800 A.D.

When he delivers the 94th Faculty Research Lecture on April 3, Donnan will talk about his lifelong devotion to Moche research and how he created an archive of more than 160,000 photographs of Moche art from museums and private collections all over the world. The lecture will take place at 3 p.m. in Schoenberg Hall and bears the same title as his next book, “Moche Portraits from Ancient Peru,” which will be published in November.

The “portraits” are actually ceramic containers that are intricately sculpted with the countenances of Moche people. Donnan started photographing these vessels when he was a graduate student, and his photographic archive now includes more than 900 portraits.

“With such a large sample, we began to see multiple portraits of the same individuals,” Donnan explained. “We also found fully modeled figures with the same face as the figure on a portrait, and thus began to reconstruct who that individual was and what activities he participated in.”

Donnan, who travels to Peru annually to do archaeology, chuckled when he recalled his very first excavation in that country as a UCLA graduate student.

“We lived in a building that didn’t have a roof. It had a dirt floor,” he said. “There was no running water and no electricity. Looking back on it, I know of no other graduate student who lived under such conditions.

“But I was so grateful for the opportunity, I didn’t consider it a hardship,” he added. “We were living in very primitive conditions, but it was wonderful. It was the chance of a lifetime.”

 

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