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The Regents of the University of California
 

 
VOL. 25. NO.10 FEBRUARY 23, 2005
Photo by Mark Berndt UCLA Today
"Lorca, Child of the Moon" composer Ian Krouse (right) with singers Aren der Hacopian (left) and Evan Hughes at a rehesarsal for the world premiere opera.

Showcase for campus artists

UCLA to stage world premiere opera

by ANNE BURKE
ucla today staff

On March 17-20, audiences at the Freud Playhouse will be treated to what is a rare event on any stage — the world premiere of a new, full-length opera.

“Lorca, Child of the Moon,” a featured event of UCLA Year of the Arts, is a collaboration between the university and an impressive array of artists from Los Angeles and beyond.

The principal creative forces behind the three-act opera are the composer, Music Department chair Ian Krouse, and the librettist and director, Margarita Galban, the Cuban-born actress and director familiar to Los Angeles theatergoers through her work with the Bilingual Foundation of the Arts.

“Lorca” also draws on the remarkable talent of students, past and present. Most of the singers and all the musicians are currently enrolled Bruins, many of them music and voice majors headed for theatrical and recording careers.

The Spanish-influenced choreography is by alumna Mari Sandoval, a well-known Southern California flamenco teacher and dancer. Wielding the baton will be alumnus Jonathan Stockhammer, who took time from a flourishing career in Europe to lead the orchestra.

Krouse’s colleagues on the faculty are also getting in on the act. Soprano Juliana Gondek, the UCLA voice and opera division chair who has performed in many of the world’s major opera houses, will lend her vocal abilities to the role of “The Mother.”

“Lorca, Child of the Moon” is based on the life and works of Federico García Lorca. Considered the greatest Spanish poet and dramatist of the 20th century, Lorca was only 38 when he was executed by fascist forces during the Spanish Civil War.

In Galban’s rendering of the Lorca story, the author steps in and out of four of his best known works, the plays “Blood Wedding,” “The Shoemaker’s Wife” and “Yerma,” and the poem “El Romancero Gitano.”

The opera has been nearly a quarter century in the making. In the early 1980s, Krouse was a doctoral student at USC when the actress Carmen Zapata, producing director of the Bilingual Foundation of the Arts, asked him to compose music for stage productions of Lorca’s work.

The productions went on to win numerous awards. Based on these early successes, the National Endowment for the Arts provided financial backing for what would become “Lorca, Child of the Moon.” While Opera UCLA’s presentation is the first fully realized production of the work, some of “Lorca” may be familiar to opera buffs. Los Angeles’ own Suzanna Guzmán, the mezzo-soprano for whom Krouse fashioned much of his score, has sung selections from “Lorca” on stage for years. Earlier versions of the opera were performed in well-received workshop productions in the ’80s and ’90s.

UCLA Extension will celebrate the world premiere on March 5 with a full-day course, “Federico García Lorca: The Man in the ‘Child of the Moon.’ ” The course will feature lectures by Lorca experts and performances by cast members. For information, visit www.uclaextension.edu.

“Lorca, Child of the Moon” will be 7:30 p.m. March 17-19 and 3 p.m. March 20. Tickets are $20, $10 students and seniors. More details: www.music.ucla.edu/Events.